Dunlop Galactica OS Limited By Nisse

Technologies

Pros

• ✓The Oversize round shape stretches the sweet spot up toward the throat and the top edge: off-centre blocked volleys come back with real direction instead of dying into the frame The 3K carbon face with its rough finish bites into the ball on the pinchada and the cross-court vibora, generating that high kick that blows up your opponent's wall exit At 360-365 g with a medium balance, the racket rotates fast in defence: you get to the double-wall ball and the defensive lob without feeling like you're dragging weight through the wrist The high-density Pro EVA core gives back a dry, quiet impact that tells you a lot about your contact point, key for placing cut bandejas millimetres from the back glass The Control Holes and Tri-Max system fine-tune how stiffness is distributed across the frame, which translates into repeatable trajectories when you close out points with a deep volley down the middle

Cons

• ✗The high-density Pro EVA doesn't forgive a cold arm: in the opening games, and on low balls without leg drive, ball exit is short and you have to push the shot The control-oriented profile limits flat winning smashes from the back; to close points from above you'll be leaning on the smash por 3 and placement rather than raw power The rough Extra Grip surface polishes down with use on outdoor courts, and the extra spin fades faster than it would on a smooth finish It's a limited edition of 500 numbered units at a premium price: you're also paying for Nisse's artwork, not just the racket's performance

The Dunlop Galactica OS Limited by Nisse takes Berlin artist Nisse's graffiti and wraps it around a 360-365 g Oversize round shape, with a 3K carbon face, Pro EVA core and rough finish. Only 500 units were made, each one numbered.

This isn't a lick of paint on an existing racket dressed up as something new: the base is a pure-control Galactica OS, and the collaboration adds a collector's layer on top of a tool that genuinely earns its keep on court.

What does the Oversize shape change compared to a standard round racket?

The OS stretches the usable surface upward and outward. In practice, the sweet spot feels wide and sits a touch higher than on a classic round racket, and that shows up in two specific moments.

First, on the blocked volley when your opponent attacks your body: you strike off-centre, away from the geometric middle, and the ball still comes back with direction instead of spraying off toward the back glass.

Second, on a mistimed bandeja. With a smaller shape, contact an inch above centre turns into a short ball; here the drop-off is manageable and you keep your opponent pinned at the back.

3K carbon and Pro EVA: why this Dunlop sounds so dry

3K carbon is a thick-thread weave with a visible pattern. Compared to finer weaves, it gives a less glassy, more informative response: it tells you where you hit the ball without hammering your joints as hard.

Underneath, the high-density Pro EVA core is what really shapes the feel. It compresses little, rebounds fast and produces that firm, almost silent impact players describe as a pro-level touch.

That combination sums up the racket's character: plenty of precision, not much help. The rubber won't hand you free power, so depth comes from your technique and body weight, not the frame.

Tri-Max and the Control Holes work on how stiffness is spread across the frame. The goal isn't extra power but repeatability: hitting two identical volleys and getting the same trajectory back.

How the Galactica OS by Nisse plays, shot by shot

Bandeja. This is its signature shot. The medium balance lets you get under the ball without stepping in three extra paces, and the roughness helps you cut it so it dies tight against the side glass.

Vibora. This is where the rough surface really shines. The cross-court topspin shot comes off with real kick, and that high bounce messes with your opponent's wall exit far more than raw shot speed would.

Smash. Honesty first: this isn't a racket built to end points with a flat, powerful smash. The smash por 3 and kick shots work through placement and spin; the flat smash from the back comes up short against solid defences.

Defence and wall exit. At 360-365 g with a medium balance, the racket rotates quickly. You get to the double-wall ball, send it back tight to the glass, and the defensive lob goes deep as long as you back it up with your legs.

Volley. Solid, highly directional blocking. The catch is that the attacking volley needs a full swing; push it and it falls short of mid-court.

What level of player is the Dunlop Galactica OS Limited by Nisse for?

It's built for advanced players, or high-intermediate players with solid technique, who build the point rather than force it. The high-density rubber demands arm speed and good timing: a player who's late to the ball will find the racket feels dead and blame it for their lack of power.

It suits a backhand-side player who works the left side with cut bandejas and viboras, or a lefty playing the right side who prioritises placement over power. As a pairing, it works well alongside a powerful partner who takes charge of the finishing smash.

I wouldn't recommend it to anyone hoping for a racket that hands them extra reach. If getting to the back of the court is already your weak point, this model won't help.

Verdict: collector's item with real technical substance

The run of 500 numbered units and Nisse's artwork come at a cost, and that premium price is part of the decision. If the design doesn't matter to you, there are cheaper control rackets with a similar approach out there.

But if what you're after is a demanding Oversize round racket with a dry feel and a surface that really bites the ball, this is a coherent proposition from start to finish: every element — shape, 3K carbon, Pro EVA, roughness — pushes toward precision.

Two warnings before you buy. The rough surface polishes down with outdoor use and will lose some of its spin advantage. And as a numbered unit, it carries collector's value: if you plan on playing it daily, accept that the artwork will wear down on court.